and because she saved Tater's bacon a time or two, we give her her own page.
Mrs. Riley's Secret, Part I
Mrs. Riley - now what a story that was! She's dead now, so's all her folks, so it doesn't matter it's told. I think it's only right that I do tell it.
You
know, I cannot imagine a father expecting his little girl to keep a
secret like that for all those years. Nor, for that matter, his daddy
forcing it on him, either. Changed the whole face of a town, that
secret. I'm surprised some of the hotheaded boys from The Corners,
didn't burn the Riley's place down. Though, maybe they tried, and I
didn't hear.
Tansey
Riley lived in an old white wooden farmhouse out on the edge of town.
You know, where the old stone walls of the factory lie to this day,
right before where the Krumps' fields began. It set up on a bit of a
rise, and from the front porch, you could see most everything that was
going on in town - from whose car was parked at the church, to whose
wagon was hitched behind what barn.
The
house had been in Tansey's family for a hundred years or so, but
everyone in town started calling it the Riley place as soon as she
married Mr. Edmond Riley. Maybe giving it an Irish-sounding name was a
bit of atonement for the sins of the town. Yes, I believe the whole
town sinned, not just Tansey Riley's family.
Prejudice
was alive and well in our little town, just like it is in all small
towns. Big cities too, I suppose, but it's more pronounced in
small towns, because you can't really get away from it. A small town
like ours is closed in on itself, for all that the main state highway
runs straight through the center of it. Folks tend to stick
to their own, and see all outsiders, or those who believe differently
with suspicion. They're born, live, marry and die, all with people who
are familiar, and those that aren't, scare them. If you're a thinkin'
person at all, you know that as well as I.
So
it was with our place. No different than anywhere else, though we
weren't guilty of the prejudices you might be thinkin' on. In our case,
most of us had never seen a person of color - negros, or blacks, or
whatever your preference of names. There just weren't any in our part
of the country. There are other kinds of prejudices you know, and they
run just as deep as the ones that have branded the South for these past
few hundred years. Now, keep in mind, while I'm telling you
this, that I'm just doing the tellin', not the hatin'.
Our
little town was a Presbyterian town, you see, with a few Lutherans
thrown in just for spice. What "we" hated you see, was Catholics. I was
never sure what prompted that hatred, other than the usual religious
nonsense. Most likely the usual "baby eating" hoo-haw that
folks always try to lay at the feet of "the others."
By
extension, since "we" hated Catholics, the Irish weren't much in favor
in our town. The jobs they were able to get were mostly helping to
build the part of the highway that passed a stone's throw from The
Corners. That's how The Corners came to be, come to think of it. It was
where the Irish lived, and where they went home to die.
All
except those that worked in Tansey Riley's daddy's factory.
Well,
obviously I can't keep calling the man "Tansey Riley's daddy", though
that's a more comfortable name, since most good folks here can barely
abide hearing his true name. You know how names like "Adolph" come to
be reviled all because of one bad apple that bear them with no pride?
So too, in our town, became the name "Warner". That was Tansey's
grandaddy: Warner Cooper. That was her daddy's name too, Warner Allen
Cooper II, to give it in full.
Warner
Cooper the elder came here as a youngster. His parents were said to
have grown up in a big eastern city, though if I ever heard which one,
the memory is gone now. They bought a large spread of land from a
German family that had decided to go back to their homeland, having
decided that homesteading just wasn't for them. Bought it for pretty
cheap too, I imagine, times being what they were. Some say, the old man
was even meaner than his son, and that he bullied them into selling. I
don't know the right of that, so I couldn't really say.
Warner
Cooper (despite his name) was in the clothing business, I guess you'd
say. He started off selling dry goods from a small storefront over on
Second Street in town, and as business eventually grew, his ambitions
grew with it. Since we had the railway stop here then, and the main
road was fairly straight and true, transporting goods, even though we
were far from any seaport, was relatively cheap. So was importing
labor, for that matter.
For
some folks, when labor is cheap, the lives that labor represent are
also held cheaply. That was Warner Cooper's greatest sin, the
fact that he respected and held dear no one who worked for him,
especially anyone who paid homage to "that devil-spawn in
Rome." Devil-spawn is a good name, but not for the man in
Rome; better for the man that lived right here amongst us. Well, his
greatest sin in the beginning, anyway.
The
dry goods business was good, and Warner Cooper decided he could make
more money if he was controlling the makin' of the things he was
selling, rather than having to pay the wholesalers. With the new
highway going in, and more and more Irish families coming into the area
to work it, there was ready labor available, folks eager for work. Not
just the men, but the women and the children too. Now, remember, that
back in those days, children going to work wasn't unheard of, it wasn't
even all that unusual. Kids worked on farms in the country, and in
factories, street corners, and in sweat shops all over this country. It
was just the way of things for some. Still is, if you think about the
migrant farm families that to this day work the fields in California
and out west. But that's not what I'm here to tell you about, so I'll
get on with things.
Warner
Cooper hired the wives and children of the Irish, for the most part,
though there were some other folks as well. A few Jews, some Poles, as
well as folks just plain down on their luck, and unable to make a go of
their farms. A job at Coopers', was food on the table, mealy though it
might be. The women and girls were put to work, embroidering, tatting,
and painting fabrics for Warner. They made lace there, too, expensive
as all get-out, because there were only a few of the women that brought
that skill with them, and it took years to teach. The boys ran the dye
vats, the little ones sweeping up, the bigger ones handling the more
dangerous machinery.
That
factory hadn't been in place 5 years before the rumors started.